Booking Agent Reba McIntire

Booking Agent Reba McIntire

Reba Nell McEntire was born on March 28, 1955, in McAlester, Oklahoma, to a family of champion steer ropers. While growing up, McEntire and her three siblings spent time traveling to and from their father’s world championship rodeo performances. Their mother, Jacqueline McEntire, nurtured her children’s musical talent. During their many long car rides, they would pass the time by learning songs and harmonizing.

Eventually, when Reba McEntire was in ninth grade, she and her two younger siblings formed the group the Singing McEntires, and went on to perform at rodeos. The group later disbanded, but Reba continued to perform as a solo act through her college years.

In 1974, McEntire caught a break when country music star Red Steagall heard her sing at the National Finals Rodeo. The young singer’s national anthem performance impressed Steagall, prompting him to help her record a demo and eventually sign with Mercury Records.

Booking Agent Reba McIntire

Throughout the late 1970s, the soon-to-be “Queen of Country” spent several hours in the recording studio, creating and releasing singles. While none of her early songs were major hits, chart success was just around the corner. In 1980, “You Lift Me Up (To Heaven)” cracked the Billboard country Top 10, ultimately launching an illustrious career.

Throughout the 1980s, McEntire stuck close to her roots in terms of persona, capitalizing on the rowdy rodeo girl theme in photos and on stage. As her powerful vocal stylings matured, her image changed as well, from rough-edged and rural to more polished and mainstream.

In the 1970s and ’80s, Nashville was still largely considered a boys’ town. When later asked how she managed to transcend gender politics so successfully, McEntire responded, “As a woman, you don’t complain, you work twice as hard and you do your job. You try to outsmart them, you try to outwork them and get there first. You help out, you volunteer, you’re at the front of the line. That’s what I learned from working on the cattle range, and it helped me in the music business.”

Though Whoever’s in New England (1986) was McEntire’s ninth studio album, it was her first to garner a Grammy Award (best female country vocal performance, for the album’s first-released single, “Whoever’s in New England”). By all accounts, the success of Whoever’s in New England was a product of its unique sound. A blend of McEntire’s more traditional twangy style with a more mainstream pop sound appealed to a wide audience, cementing the artist’s place as country royalty for years to come.

Always a strong businesswoman, the singer understood early on the importance music videos would have for her career. Her first video, for the single “Whoever’s in New England” (1986), artfully told the story of a suburban housewife tortured by the idea of her philandering husband and his trips up north to visit a mistress. Employing well-known actors and directors, the singer took full advantage of this visual medium to showcase the strong narratives of her songwriting, using videos to tell full and compelling stories. In the future, her penchant for drama would not only drive record sales, it would fuel an unexpected acting career.

Also in 1986, McEntirereleased the album What Am I Gonna Do About You, and was named both “Female Vocalist of the Year” and “Entertainer of the Year” by the Country Music Association. Additionally, the singer was named best female vocalist by the CMA for four consecutive years, from 1984 to ’87.

The momentum didn’t stop there. McEntire went on to churn out hit after hit, some more critically acclaimed than others, but most selling by the millions. In 1990, she released Rumor Has It, an album that eventually sold 3 million copies, going triple platinum by 1999.

On March 16, 1991, tragedy struck when a charter plane carrying eight members of McEntire’s band crashed. There were no survivors, and the accident left the singer stunned and reeling. McEntire turned back to her music and, out of her grief, came a bleak but immensely popular album, For My Broken Heart, which she dedicated to her deceased bandmates. In the late 1990s, she recorded duets with Brooks & Dunn and Linda Davis, which were fan favorites.

Over the past several decades, McEntire has continued to reign as the “Queen of Country,” collaborating with other country music hitmakers like Kenny Chesney, Trisha Yearwood and Leann Rimes.

In 2003, McEntire released the album Room to Breathe, which went on to earn U.S. platinum status. Reba: Duets (2007) followed, also going platinum in the U.S. Two years later, the singer released Keep On Loving You (2009), her first project to go gold in the U.S. since 1986’s What Am I Gonna Do About You. That same year, McEntire broke a CMA record, surpassing Dolly Parton as the most nominated female artist in the 43-year history of the CMA Awards. In 2010, she released her next album, All the Women I Am, which included the number-one hit “Turn On the Radio.”

McEntire’s Country Music Hall of Fame Exhibit titled “Reba: All the Women I Am” was opened on August 9, 2013, in Nashville, Tennessee, and ran through June 8, 2014. All of the items in the exhibit were specifically chosen by McEntire herself. Memorabilia on display at the exhibit included various costumes and awards, among other items that have been highlighted throughout her career. She put out her latest album, Love Somebody, in 2015. The record featured such songs as “Just Like Them Horses,” “Going Out Like That” and “Enough.”

What is the secret of McEntire’s success? “To succeed in life,” she has said, “you need three things: a wishbone, a backbone and a funny bone.”

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